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Published by Steidl, 2008
ISBN 10: 3865216730ISBN 13: 9783865216731
Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Book
Hardback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
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Published by Editions Macula, Paris, 2016
ISBN 10: 2865890899ISBN 13: 9782865890897
Seller: San Francisco Book Company, Paris, France
Book
Paperback. Condition: Very good. Cohen, John (illustrator). Paperback Octavo. wraps, 241 pp, text in French, letter front the translator Mikriammos laid in Standard shipping (no tracking or insurance) / Priority (with tracking) / Custom quote for large or heavy orders.
Published by Grove Press, 1961
Seller: Foliobooks, Madison, WI, U.S.A.
Book
Soft cover. Condition: Good. Slim paperback; stated first printing. Pages are yellowed but free of markings; wraps are yellowed, and rubbed. Showing its age, but still a solid, fully readable copy.
Published by grove press 1961, 1961
Seller: Hard to Find Books NZ (Internet) Ltd., Dunedin, OTAGO, New Zealand
Association Member: IOBA
First Edition
first edition octavo illus light card covers, 38pp + 31pp illus VG ( small owner's name to fep, light discolouration).
Condition: Sehr gut. Steidl, Göttingen. 2008. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. Hardcover (as issued). 137 x 205 mm. 64 pages. Text in english. Perfect condition! Collector`s copy! Robert Frank ist berühmt die "Die Amerikaner", für viele das wichtigste und einflussreichste Fotobuch der Welt und aller Zeiten (Andrew Roth, Book of 101 Books, Seite 150/151. Martin Parr, The photobook, vol 1, Seite 247. Hasselblad Center, Seite 176/177. 802 books of the M.+M. Auer collection, Seite 375). "Pull my Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank s then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman s bohemian friends crash the party, with comic results. The title Pull my Daisy was taken from the poem of the same name written by Kerouac, Ginsberg and Neal Cassidy over the 1940s and 1950s. The poem features in the film as thelyric within the jazz composition at the film s opening. The Beat philosophy emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised. Pull my Daisy was accordingly praised for years as an improvisational masterpiece, until Leslie revealed in a 1968 article in the Village Voice that the film was actually carefully planned, rehearsed, and directed by him and Frank, who shot the film on a professionally lit studio set. The book interweaves a transcript of Kerouac s narration from the film with film stills and also includes an introduction by Jerry Tallmer written in 1961." (from the publisher)***************Steidl, Göttingen. 2008. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in der Plastikfolie des Verlags. Hardcover (wie erschienen). 137 x 205 mm. 64 Seiten. Text in englisch. Perfekter Zustand! Sammler-Exemplar! Robert Frank ist berühmt die "Die Amerikaner", für viele das wichtigste und einflußreichste Fotobuch der Welt und aller Zeiten (Andrew Roth, Book of 101 Books, Seite 150/151. Martin Parr, The photobook, vol 1, Seite 247. Hasselblad Center, Seite 176/177. 802 books of the M.+M. Auer collection, Seite 375). Sprache: Englisch Gewicht in Gramm: 1600.
Published by GROVE PRESS, INC./EVERGREEN BOOKS, 1961
Seller: BRIER ROSE BOOKS, TEANECK, NJ, U.S.A.
First Edition
PICTORIAL WRAPS. Condition: GOOD+. FIRST EDITION (STATED). SOME WEAR, BUT NO TAPE OR INK. Size: OCTAVO.
Published by Grove Press; Evergreen Books, New York And London, 1961
Seller: Any Amount of Books, London, United Kingdom
First Edition
8vo. pp 38. Original publisher's illustrated covers, lettered black/red on spine and front cover. Illustrated throughout. Evergreen Books. no. E294. Slight creasing to covers, otherwise sound, very good.
Published by Grove Press/Evergreen Books Ltd, New York/London, 1961
Seller: The Chatham Bookseller, Madison, NJ, U.S.A.
First Edition
Softcover. Condition: Very Good+. 1st Paperback Edition. unpaginated. Stiff pictorial wraps. Light smudges to the rear panel, minimal wear to extremities, otherwise a near fine copy. Photos throughout. A supreme document of Beat Generation energy at its peak, with several of its key players starring: Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo Frank (Robert Frank's then-infant son). Based on an incident in the life of Beat muse Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife has invited a respectable bishop over for dinner at their Bowery apartment. Size: Octavo.
Published by New York & London Grove Press, Evergreen Books Ltd. 1961, 1961
First Edition
Condition: 7. in-8, broché, couverture illustrée, 38 pp. de texte et 31 p. de photos en noir. Édition originale du texte écrit et lu en voix off par Kerouac dans le film sorti en 1959, moyen métrage expérimental devenu culte sur la Beat Generation. On notera que Delphine Seyrig y tient son premier rôle au cinéma : découvrant sa performance à Broadway, Alain Resnais en fera l'héroïne de L'Année dernière à Marienbad. Exemplaire provenant de la bibliothèque d'Alain Resnais.
Published by Grove Press, 1961
Book
Soft cover. Condition: Very Good. No Jacket. 1st Edition. Grove Press Inc./Evergreen Books: New York, 1961. Sm 8vo. [1-3] 14-38 pp followed by 16 leaves of black and white photos. An Evergreen original (E-294) priced at $1.45. Very good with a crease to the top right corner of the front panel and light wear. Ref: Charters A16.
Seller: 5Uhr30, Köln, Germany
Book First Edition
Condition: Wie neu. Steidl, Göttingen. 2008. First edition. New, mint, unseen. Still originally shrink-wrapped in publisher`s plastic foil. Three jewel cases in a sleeve. 130 x 210 mm. Photographs by Robert Frank. The films are: Vol 1: Pull My Daisy, 28 min, 1959. The Sin of Jesus, 37 min, 1961. Me and My Brother, 85 min, 1968. "Robert Frank's significant contribution to photography in the mid-twentieth century is unquestionable. His book, The Americans, is arguably the most important American photography publication of the post-World War II period, and his photography has spawned numerous disciples, as well as a rich critical literature. However, at the very moment Frank achieved the status of a 'star' at the end of the 1950s, he abandoned traditional still photography to become a filmmaker. He eventually returned to photography in the 1970s, but Frank, as a filmmaker, has remained a well-kept secret for almost four decades. Robert Frank The Complete Film Works fills a long overdue gap by presenting every one of Frank`s more than 25 films and videos, some of them classics of the New American Cinema of the 1950s and 1960s. Pull My Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. The Sin of Jesus was based on the story of Isaac Babel, a woman on a chicken farm who spends her days working at an egg-sorting machine. "I'm the only woman here." She is pregnant, her husband spends his days lying in bed, and his friends encourage him to go out on the town with them. The woman talks to herself as she works, lost in the monotony of human existence. She counts the passing days in the same way she counts eggs. Even extraordinary events, such as the appearance of Jesus Christ in the barn, go under the stream of this melancholy solipsism. Me and My Brother seems to be a rather artless-film-within-a-film being shown at a rundown movie theater. The story contains bizarre twists and turns: skillfully weaving together opposites, playing counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. This was Frank's first feature-length film work and it celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage. There is a method to this film's madness: It is so rich in text, quotes, music, and associations that keeping up with it through the underbrush of psyche, film, and urbanity is barely possible. Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959, which gave rise to a distinct new form in the photo-book, and his experimental film Pull My Daisy, made in 1959. Frank`s other important projects include the books Black White and Things, 1954, and Lines of My Hand, 1972, and the film Cocksucker Blues for the Rolling Stones, 1972. He divides his time between New York City and Nova Scotia, Canada." (from the publisher)***************Steidl, Göttingen. 2008. Erstauflage. Originalauflage. Neu, ungesehen, verlagsfrisch. Noch original-verschweißt in der Plastikfoli.
Published by New York, Grove Press (1961)., 1961
Seller: Antiquariat Haufe & Lutz, Karlsruhe, BW, Germany
First Edition
8°. 38 S., [17] Bl. mit 54 Abb. Illustr. OKart. (Evergreen Books, No. E 294). Erste Ausgabe. - "Here is the complete Kerouac text, with photos selected by Robert Frank from the film Pull My Daisy - a short cinematographic exhibition of "Beat" life in a Bowery "pad" on New York's Lower East Side, with spontanous performances by poets Allen Ginsberg, Gregory Corso, and Peter Orlovsky, painter Larry Rivers, composer David Amram, and other characters drawn from the highest echelons of Beat society. It is directed by Robert Frank and David Leslie in a departure from a screen play by Jack Kerouac" (Verlagswerbung). - ". a brilliant Kerouac commentary . The picture is a remarkably itchy incisive evocation of beatnikness" (A. Winsten, New York Post). - Rücken etwas aufgehellt, sehr gutes Exemplar. Sprache: englisch.
Published by Grove Press, New York, 1961
First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled, near fine.
Published by Steidl, 2008
ISBN 10: 3865213650ISBN 13: 9783865213655
Seller: Antiquariat UEBUE, Zürich, Switzerland
Book First Edition
Hörbuch (DVD). Condition: Sehr gut. 1. Auflage. Z : Three DVDs in film-roll box housed in a slipcase (13x19x4 cm) - Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank s then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman s bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank The Sin of Jesus was based on the story of Isaac Babel, a woman on a chicken farm who spends her days working at an egg-sorting machine. I m the only woman here. She is pregnant, her husband spends his days lying in bed, and his friends encourage him to go out on the town with them. The woman talks to herself as she works, lost in the monotony of human existence. She counts the passing days in the same way she counts eggs. Even extraordinary events, such as the appearance of Jesus Christ in the barn, go under the stream of this melancholy solipsism. Me and My Brother seems to be a rather artless-film-within-a-film being shown at a rundown movie theater. The story contains bizarre twists and turns: skillfully weaving together opposites, playing counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. This was Frank s first feature-length film work and it celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage. There is a method to this film s madness: It is so rich in text, quotes, music, and associations that keeping up with it through the underbrush of psyche, film, and urbanity is barely possible. -.
Published by Grove Press, New York, 1961
Seller: Tony Power, Books, North Vancouver, BC, Canada
Book First Edition
Original Wraps. Condition: Near Fine. First Edition. Very nearly fine -- photogr. wraps. A very bright, fresh copy of the first printing (so stated) of this wraps original. shows the most minimal signs of wear/handling. 'Evergreen Original - E-294 - $1.45' . 'Text ad-libbed by Jack Kerouac for the film by Robert Frank and Alfred Leslie Introducton by Jerry Tallmer' Illustrated with numerous b&w photos. Cast includes Allen Ginsberg, Peter Orlovsky, Gregory Corso, Larry Rivers, David Anram. Photos available upon request.
Published by Grove Press, New York, 1961
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Near Fine. First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled, near fine.
Published by Grove Press; Evergreen Books, New York; London, 1961
Seller: James Cummins Bookseller, ABAA, New York, NY, U.S.A.
First Edition
First edition. An Evergreen Original. First edition. An Evergreen Original. Illustrated. 38, [34] pp. 1 vols. 8vo. The Classic Beat Film. Nice copy of the paperback original based on the cult Beat film, Pull My Daisy, with the title song by Jack Kerouac and Allen Ginsberg and illustrated with stills from the film. The film is narrated in a voiceover by Kerouac, and stars Allen Ginsberg, Larry Rivers, Gregory Corso, Peter Orlovsky, David Amram, Alice Neel, Delphine Seyrig, and Dick Bellamy. Pictorial wrappers. Faint rubbing, about near fine Illustrated. 38, [34] pp. 1 vols. 8vo.
Published by New York: Grove Press Inc., 1961, 1961
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
First Edition
First edition, first printing. Shot on 16mm black and white film in Leslie's loft studio in New York City, Pull My Daisy is a short film adapted by Kerouac from the third act of his play, Beat Generation. Kerouac provides improvised narration, and Gregory Corso, Allen Ginsberg and Peter Orlovsky appear as themselves. Charters A16. Octavo. Original photographic wrappers, spine and front cover lettered in red, yellow and black. No dust jacket issued. Illustrated with monochrome stills from the film. Extremities very lightly creased, else fine.
Published by Grove Press, New York, 1961
Seller: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, U.S.A.
First Edition
Softcover. Condition: Near Fine. First edition. Paperback original. With stills from the film by Robert Frank and Alfred Leslie. Wrappers a trifle soiled and rubbed, and a tiny stain on the foredge, else near fine. [With] Small broadside or handbill for the premiere of the film: "The New Yorker Theater . Beginning April 7 U.S. Premiere of Pull My Daisy." 8.5" x 11". Old folds, else near fine. A scarce ephemeral piece for the experimental film.
Published by Grove Press und Evergreen Books, New York und London. 1961. 1961., 1961
Seller: Antiquariat CoBrA, Oberrohrbach, Austria
Grove Press und Evergreen Books, New York und London. 1961. 1961. 8°. Slim octavo. 38 (17) Seiten / pages with Photo Plates. . Original publisher's pictorial wrappers. A very good copy. Gutes, innen sehr gutes Exemplar. Sprache: Deutsch. *** Bitte kontaktieren Sie mich immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact me always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Published by Grove Press und Evergreen Books, New York und London. 1961. 1961., 1961
Seller: Antiquariat CoBrA, Oberrohrbach, Austria
Grove Press und Evergreen Books, New York und London. 1961. 1961. 8°. Slim octavo. 38 (17) Seiten / pages with Photo Plates. . Original publisher's pictorial wrappers. A near fine copy. Sehr gutes Exemplar. Sprache: Deutsch. *** Bitte kontaktieren Sie mich immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact me always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.
Published by New York: Grove Press Inc., 1961, 1961
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
First Edition Signed
First edition, first printing, signed "Allen Ginsberg, Cambridge, 2/8/85" underneath a monochrome still of himself and Gregory Corso, the latter playing a flute. This is a review copy, with the Grove Press compliments slip loosely inserted. Shot on 16mm black and white film in Leslie's loft studio in New York City, Pull My Daisy is a short film adapted by Kerouac from the third act of his play, Beat Generation. Kerouac provides improvised narration, and Corso, Ginsberg and Orlovsky appear as themselves. Charters A16. Octavo. Original photographic wrappers, spine and front cover lettered in red, yellow and black. No dust jacket issued. Illustrated with monochrome stills from the film. Wrappers lightly marked and toned, a couple of small surface abrasions to front wrap, contents clean. A very good copy.
Published by New York: Grove Press Inc., 1961, 1961
Seller: Peter Harrington. ABA/ ILAB., London, United Kingdom
First Edition Signed
First edition, first printing, signed by Gregory Corso, Allen Ginsberg and Peter Orlovsky by a photograph of Corso and the film's two directors, Robert Frank and Alfred Leslie; additionally inscribed by Orlovsky "Good meditation to you 6/22/84". Shot on 16mm black and white film in Leslie's loft studio in New York City, Pull My Daisy is a short film adapted by Kerouac from the third act of his play, Beat Generation. Kerouac provides improvised narration, and Corso, Ginsberg and Orlovsky appear as themselves. Charters A16. Octavo. Original photographic wrappers, spine and front cover lettered in red, yellow and black. No dust jacket issued. Illustrated with monochrome stills from the film. Extremities lightly rubbed and creased, one signature a little smudged, a near-fine copy.