Organ Yearbook the Edited Peter (19 results)

Buren, 1978 (reprint). 112 p. With 33 photographs.Contents: M.A. VENTE & D.A. Flentrop: The Renaissance Organ of Evora Cathedral, Portugal; U. DÄHNERT: J.S. Bach's Ideal Organ; C. CLUTTON: Thoughts on Tonal Design; P.HARDOUIN: Working Hypotheses for a History of the Tierce; U. PAPE: Hans Heinrich - a Representative of Central European Organ-building in Finland; P. VISSER: Organs in Amsterdam. E. RIPIN: Expressive Devices applied to the eighteenth-century Harpsichord.

108 pp. With 11 photographs.Contents: ELEONARA SELFRIDGE-FIELD: Gabrieli and the Organ. FREDERICK HUDSON: Franz Tunder, the North-Elbe Music School and its Influence on J.S. Bach. JAMES WYLY: Historical Notes on Spanish Façade Trumpets. EDWIN M. RIPIN: Johann Andreas Stein's Melodica. HERBERT KELLETAT: Zur Frage der Tonordnung bei der Restaurierung alter Orgeln. DAVID KINSELA: A new Direction in Organ Building reflected in the History of Metzler und Söhne.

Contents: Indexes on Main articles, arranged by contributor's surnames. Main articles, arranged by subjects. General Indexes to all Articles and reviews, names of persons and instruments, locations and makers' names with the location of their instruments.

185 pp. With 10 photographs.Contents: ANNA MARIE FLUSCHE, Willem Hermans, Organ Builder of the Society of Jesus. EDWARD HIGGINBOTTOM, Ecclesiastical Prescription and French Classical Organ Music. C.W. PLATT, Organs of the Vice-regal period in four Mexican cathedrals. MICHAEL TALBOT, A Vivaldi Sonata with obbligato Organ in Dresden. HARTMUT ROHMEIJER, Adam Gottfried Oehme, a Successor of the Organ-builder Gottfried Silbermann. SUSI JEANS, The Catalogue of the John Norberg Collections of organ case sketches at the Royal College of Organists. GRANT O'BRIEN, Some principles of eighteenth century harpsichord stringing and their application.

160 pp. With 40 ills.Contents: W.D. JORDAN: The Renaissance Organ of Evora Cathedral: new Facts concerning its Origin and Construction. L.A. ESTEVES PEREIRA: Two more Arp Schnitgers in Portugal? MICHAEL DREWES: Further Notes on Mexican Organs of the 18th & 19th Centuries. GEORGE B. STAUFFER: Bach's Pastorale in F: a closer Look at a maligned Work. ROBERT PARKINS & R. LARRY TODD: Mendelsohn's Fugue in F minor: a discarded Movement of the first Organ Sonata. ANNE & PETER MACTAGGART: A royal Ruckers: decorative and documentary History.

176 pp. With 9 photographs.Contents: MARCO TIELLA: Renaissance and baroque musical Instruments and their 'Pronuntia'. STEPHEN MAY: St-Michel, Bordeaux reconsidered. BEVERLY SCHEIBERT: The Organ Works of Jean-Henry D'Anglebert. RUDOLF RASCH: Friedrich Suppig and his Labyrinthus Musicus of 1722. BARBARA OWEN: Pitch and Tuning in eighteenth- and nineteenth-century American Organs. ROBERT SURHERLAND LORD: Liturgy and Gregorian Chant in L'Orgue Mystique of Charles Tournemire. WILSON BARRY: Preliminary Guidelines for a Classification of Claviorgana. HERMAN GREUNKE: The structural Stability of Lead-Tin Allolys used in Organ-Pipes.

192 pp. With 31 photographs.Contents: NICOLAS MEEÙS, The Chekker. DOUGLAS E. BUSH, Musicus consummatus: the Biography and Organ Music of Arnolt Schlick. PETER V. PICERNO, Antonio Barcotto's Regula e breve Raccordo: a Translation and Commentary. ULRICH DÄNNERT, Wind Pressure and the Unit of Foot-Measurement in the Organ-Building of 18th-century Saxony. THOMAS McGEARY, David Tannenberg's Directions for Organ Tuning. MICHAEL DREWES, The Organ of the Parish Church at Real de Catorce, San Luis Potosi, Mexico. HANS STEINHAUS, Beethoven und die Orgel: Versuch einer Beantwortung offener Fragen. CLEMENS VON GLEICH, Literature on the early Pianoforte.

144 pp. With 32 ills.Contents: PETER WILLIAMS: How did the Organ become a Church Instrument? Some preliminary Questions. BERNARD FOCCROULLE: Le Liber Fratrum Cruciferorum Leodiensium (1617): contiendrait-il les premiers Récits de Cornet et Basses de Trompette? GUIDO SCHUMACHER & FABIAN LOCHNER: Restoration of historic Organs in the Belgian Province of Liège. CYNTHIA TURNER: Melchior Schildt (1592/3-1667): towards a Reassessment. GEOFFREY WEBBER: New Evidence concerning the Transmission of Styles in seventeenth-century German Organ Music: MS Berlin, Amalien-Bibliothek. GHISLAIN POTVLIEGHE: The Use of the Rolling Mill in the Manufacture of Organ-pipe Metal. STEWART POLLENS: Gottfried Silbermann's Pianos.

144 pp. With 15 photographs.Contents: KIMBERLY MARSHALL: Bourdon Pipes on late-medieval Organs. PIERRE HARDOUIN: Relecture de quwelques documents des Orgues d'Allemagne au XVIe Siècle. EDWARD E. SCHAEFER: Bernardino Bottazzi's Choro et Organo and the Italian Organ Mass of the 16th and 17th Centuries. ROBERT E. BATES: Nivers' Tonal Material: Tuning Restrictions & the Development of the major-minor System. LAURENCE LIBIN: A unique Organized Piano from Pennsylvania.

150 pp.Contents: BARBARA OWEN: The early seventeenth-century Organ in St. Nicholas, Stanford-on-Avon. MICHAEL DREWES: The Positive at San Jerónimo, Mexico City. A. FAUCONNIER: The Restoration of the 1692 Peter Goltfuss Organ in the Begijnhofkerk, Leuven (Belgium). ARNFRIED EDLER: Fantasie and Choralfantasie: on the problematic Nature of a genre of seventeenth-century Organ Music. FRIEDRICH JAKOB: Die Gabler-Orgel zu Weingarten. JOHN BUTT: Bach's Organ Sonatas BWV 525-530: Compilation and Recomposition. DENZIL WRAIGHT: The 1605 Celestini Harpsichord: another misleading Instrument. THOMAS McGEARY: Peter Sprengel's Description of Clavichord Building (1773).

Contents: PATRIZIO BARBIERI: An unknown 15th-century French Manuscript on Organ Building and Tuning. DOUGLAS E. BUSH: Organ Music in the 15th-century German Liturgy: a Reconstrution. EDMUND A. BOWLES: References to the Organ in the Literature of Festival Books. NICK WAANDERS: The Restored Organ of San Vivaldo, Montaoine, Italy. DAVID HUMPHREYS: A Bach Polyglott, the A major Prelude & Fugue BWV 536. JOHN O'DONNELL: Mattheson, Bach, Krebs and the Fantasia & Fugue in C minor BWV 537. MARTIN RENSHAW: Problems of Organ Restoration in Great Britain: a Personal Viw.

153 pp.Contents: V. PANETTA: An early Handbook for Organ Inspection: the 'Kurtzer Bericht' of Michael Praetorius and Esaias Compenius; HANS VAN NIEUWKOOP: Anthoni van Noordt and the Organs of 17th c. Amsterdam; DAVID C. WICKENS: The position of Samuel Green in 18th c. English Organ-building; BERNARD BAëRD & M.J. DARANTIèRE: Queen Marie-Amélie's small Organ; HERMANN J. BUSCH: The Organ of Merseburg Cathedral and the Organ Works of Franz Liszt; PETER WILLIAMS: Theophilus and Early Medieval Organ Building.

192 p.Contents: W.D. JORDAN: Manoel de S. Bento Gomes de Herrera and the Portugese Organ; CHRISTOPHER KENT: The Harris Organ of Bristol Cathedral: some recent Investigations; MARK BIGHLEY: The Schübler chorales as Cycle: A Liturgical and Theological Perspective; LYNN EDWARDS: The Thuringian Organ 1702-1720: ein wohlgeratenes gravitätisches Werk; DOMINIC GWYNN: St. John the Baptist, Marldon, Devon, England.

132 pp. With 22 photographs.Contents: HANS-JOACHIM SCHULZE: J.S. Bach's Concerto-arrangements for Organ, Studies or commissioned Works? ROGER FISKE: Handel's Organ Concertos - do they belong to particular Oratorios? JERZY GOLOS: Potable Organs in Poland. UWE PAPE: Jürgen Ahrend & Gerhard Brunzema. LADISLAV SABAN: The Organs of Ivan Juraj Eisl in Croatia. JOHN T. FESPERMANN & DAVID W. HINSHAW: New Light on North America's Oldest Instruments: Mexico. W.H. WHEELER: London Organ Recitals - some Reminiscenses. GILBERT HUYBENS: Cavaillé-Coll and some Experiments on Organ Pipes. PETER WILLIAMS: A Dutch Harpischord Inventory of 1759.

156 p. With 23 photographs.Contents: DENIS McCALDIN: Berlioz and the organ page. SANDRO DALLA LIBERA: Organs in Venice. ZDENEK FRIDRICH: On the History of the Organs at Kopecek and Hradisko, Czechoslovakia. RUDOLF WALTER: A Spanish Registration List of c1770. J.L. COIGNET: Is the French neo-classic Organ a failure? RUDOLF BRUHIN: Historische Orgeln im Wallis (Schweiz). KLAUS-JÜRGEN SACHS: Remarks on the Relationship between Pipe-measurements and Organ-building in the Middle Ages. FENNER DOUGLASS: Should Dom Bedos play Lebègue? W.R. THOMAS & J.J.K. RHODES: Harpsichord Strings, Organ Pipes and the Dutch Foot.

160 pp. With 29 photographs.Contents: JAMES W. McKINNON: The 10th Century Organ at Winchester. PIERRE HARDOUIN: Twelve well-known positive Organs: useful Evidence or difficult Problems? ALAN BROWN: Keyboard Music by Byrd 'Upon a Plainsong'. CHRISTOPH SCHWARZENBERG: Die Silbermannorgel Crostau. PIERRE BROSSARD: La facture d'orgue dans le nord-est de la France au début de 18e siècle. HANS KLOTZ: The Organ Works of Max Reger: an Interpretation. PETER R.J. WALKER & ALASTAIR J.N. RUSHWORTH: Problems of the Modern English Organ. MARTIN SKOWRONECK: Das Cembalo von Christian Zell, Hamburg 1728, und seine Restaurierung. W.R. THOMAS and others: A Clavichord, a Harpsichord and a Chamber Organ in the Russell Collection, Edinburgh.

192 pp. With 26 ills.Contents: MARCO TIELLA: The Positive of Lorenzo da Pavia (1494). L.A. ESTEVES PEREIRA: The Restoration of historic Organs in Portugal. MICHAEL SAYER: The Heraldic Organ c1688. STEPHEN DAW: Copies of J.S. Bach by Walther & Krebs: a Study of the Mss P 801, P 802, P 803. JACOBUS KLOPPERS: A Criterion for manuel Changes in the Organ Works of Bach. BJORN F. BOYSEN: The Wagner Organ in Trondheim Cathedral. G.A.C. DE GRAAF: A Spanish Registration List of 1789. MICHAEL SAYER: Industrialized Organ-building: a Pioneer. NICHOLAS THISTLETHWAITE: 'E pur si muove', English Organ-building 1820-1851. JOHN H. BOWLES: Organs in redundant Churches of the Church of England. HELMUT ZERASCHI: Das Musikinstrumentenmuseums der Karl-Marx-Universität zu Leipzig.

112 pp.Contents: GALE KRAMER: The Prefaces to the Organ Works of Jean Titelouze. JESSE E. ESCHBACH: Cavaillé-Coll's Voicing Techniques at St-Sulpice. GILBERT HUYBENS: Autour des Publications d'Aristide Cavaillé-Coll. ANTOINE BOUCHARD: Evolution de la Facture d'Orgue au canada, entre 1960 et 1975. J.L. COIGNET: Tendencies of the Contemporary French Organ. GUY BOVET: Some Original Aspects of Swiss Organ Culture.

Double-issue. 234 p.Contents: NICOLAAS WAANDERS: Willem Hermans in Pistoia: some stylistic considerations; JOHN HARPER: The origin of the historic organ at Stanford-on-Avon: connections with Magdaken College, Oxford, and the surviving Dallam case at Tewkesbury Abbey; JEAN-ALBERT VILLARD: The Clicquot family and its place in French organ building; RICHARD BURNETT: Muzio Clementi: pianist, composer and pianomaker; WILFRIED PRAET: The Jean-Pierre Cavaillé organ at Torroja del Priorat; ROBERT PACEY: Alexander Buckingham and the renaissance organ at Lincoln Cathedral.