Stan Douglas - Hardcover

Stan Douglas was born in 1960 in Vancouver, Canada, where he lives and works today. His work has been shown in New York at The Studio Museum, Harlem, The Art Institute of Chicago and the Dia Center for the Arts. He is represented in New York by David Zwirner gallery.

"Arsenal Pulp Press has published a beautiful and informative book about one of Vancouver's most stunning and original works of public art." --"Vancouver Sun"

"This collection of essays pries open the iconic 30x50-foot translucent photo mural, depicting a decades-ago clash between police and protestors that defined Vancouver's Gastown neighbourhood, and which now hangs in the atrium of the city's Woodward's complex. From Nora M. Alter's analysis of the image as a 'moving still' to Jesse Proudfoot's history of the politics of representation in the Downtown Eastside, these essays help fulfil Douglas's intent to keep conversation about the riot -- and the photograph that 'condenses' it -- evolving." --"The Tyee"

"Cinematic in its scale and production, the photomural depicts riot police, mounted police, and undercover cops clashing with hippies, while area residents and visitors look on. Douglas frequently uses his art to reimagine pivotal but often misread or obscured moments in history ... This book addresses not only the elaborate creation and multiple meanings of the mural but also what the publisher calls 'the politics of urban conflict' embedded within it." --"Georgia Straight"

"This richly illustrated volume focuses on events of 1971's Gastown Riot ... Simmering narratives of protest and inequality run alongside a study of the mechanics and meaning of representation." --"Canadian Art"

"Arsenal Pulp Press has published a beautiful and informative book about one of Vancouver's most stunning and original works of public art." --"Vancouver Sun"

"This collection of essays pries open the iconic 30x50-foot translucent photo mural, depicting a decades-ago clash between police and protestors that defined Vancouver's Gastown neighbourhood, and which now hangs in the atrium of the city's Woodward's complex. From Nora M. Alter's analysis of the image as a 'moving still' to Jesse Proudfoot's history of the politics of representation in the Downtown Eastside, these essays help fulfil Douglas's intent to keep conversation about the riot -- and the photograph that 'condenses' it -- evolving." --"The Tyee"

"Cinematic in its scale and production, the photomural depicts riot police, mounted police, and undercover cops clashing with hippies, while area residents and visitors look on. Douglas frequently uses his art to reimagine pivotal but often misread or obscured moments in history ... This book addresses not only the elaborate creation and multiple meanings of the mural but also what the publisher calls 'the politics of urban conflict' embedded within it." --"Georgia Straight"