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Arnold Newman, probably the most extensive of the many samplings of the photographer's work, amply displays his vaunted skill at portraying mostly well-known sitters in their native habitats, whether these happen to be lonely-looking palaces (Haile Selassie, Generalissimo Franco), book-lined offices (Golda Meier, Stephen Jay Gould), a shabby road veiled in darkness (Shelagh Delaney), a bed (Woody Allen, scribbling on a legal pad), or mysterious precincts that capture the willful individuality of artists and architects. With 240 black-and-white and color plates, this beautifully produced book (marred only by the awkward way the elegant black silhouette of a grand piano lid in the Igor Stravinsky portrait bleeds across two pages) accompanies an exhibition at the Corcoran Gallery of Art in Washington, D.C. (March 18-May 21, 2000). --Cathy Curtis
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