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Book Description gebunden. Condition: Neu. Neu -Hanna Roeckles (Jg. 1950 in Liechtenstein) Werke stehen zwischen Malerei und Skulptur. Ihre plastischen Arbeiten basieren auf räumlichen Strukturen und seriellen Systemen, deren konstruktive Klarheit in einen vielstimmigen Dialog mit sinnlichen Farbverläufen und -kombinationen tritt. Kunst und Forschung verschmelzen: Die Künstlerin bezieht gezielt Themen aus Geometrie und Physik, Systemtheorie, Kultur-, Design- und Architekturgeschichte mit in ihre Werke ein. Für den Außenraum des Hauses für Kunst Uri hat sie eine Skulptur entwickelt, die kongenial auf den Polyeder antwortet, den Albrecht Dürer in seinem rätselhaften Kupferstich Melencolia I (1514) darstellte. Mit seinen kristallinen Kanten stellt Roeckles Polyeder eine logische Fortentwicklung ihres Schaffens dar. Die mit Carlack monochrom gespritzte Oberfläche changiert je nach Standort und Blickwinkel des Betrachters zwischen Blaugrün-Violett und fließendem, warmem Rot. (Text dt., engl.)\\nErscheinungsdatum: 20.05.2014 Schlagwörter: architektur, malerei, skulptur Sachgruppen: Geisteswissenschaften, Kunst, Musik, Kunst, Kunstgeschichte Preisänderung: 28.07.2023 Anzahl Seiten: 176 Format: 28,00 x 24,50 x 2,00 cm VergleichspreisMax: 10 176 pp. Deutsch, Englisch. Seller Inventory # 1063880
Book Description Hardcover. Condition: new. Hardcover. The works of Hanna Roeckle (* 1950 in Liechtenstein) are poised between painting and sculpture. Her three-dimensional works are based on spatial struc tures and serial systems, whose clarity of form enters into a polytonal dialogue with sensitive combina tions and transitions of color. Art is joined with other fields of research, since in her work the artist draws on specific concepts from geometry, physics, systems theory, cultural history, and the history of architec ture and design. For the grounds of the Haus fur Kunst Uri she developed a sculpture that is a kindred spirit of the polyhedron portrayed by Albrecht Durer in his mysterious engraving Melencolia I (1514). With its crystalline edges, Roeckle's polyhedron represents a logical development within her oeuvre. Spray-coated with monochrome car paint, the surface oscillates between a blue-green violet and a flowing, warm red, depending on the position of the viewer. Exhibition: Haus fur Kunst Uri, Altdorf 9.3.-18.5.2014 The first monograph on the concrete art of this Zurich-based artist Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783775738453
Book Description Hardcover. Condition: new. Hardcover. The works of Hanna Roeckle (* 1950 in Liechtenstein) are poised between painting and sculpture. Her three-dimensional works are based on spatial struc tures and serial systems, whose clarity of form enters into a polytonal dialogue with sensitive combina tions and transitions of color. Art is joined with other fields of research, since in her work the artist draws on specific concepts from geometry, physics, systems theory, cultural history, and the history of architec ture and design. For the grounds of the Haus fur Kunst Uri she developed a sculpture that is a kindred spirit of the polyhedron portrayed by Albrecht Durer in his mysterious engraving Melencolia I (1514). With its crystalline edges, Roeckle's polyhedron represents a logical development within her oeuvre. Spray-coated with monochrome car paint, the surface oscillates between a blue-green violet and a flowing, warm red, depending on the position of the viewer. Exhibition: Haus fur Kunst Uri, Altdorf 9.3.-18.5.2014 The first monograph on the concrete art of this Zurich-based artist Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783775738453