Affect Theory, Genre, and the Example of Tragedy: Dreams We Learn (Palgrave Studies in Affect Theory and Literary Criticism) - Softcover

Duncan A. Lucas is Professor of Communications in the Department of Liberal Studies at Mohawk College in Hamilton, Ontario, Canada.

“This is an overall impressive scholarly work, innovative and timely in conception . . . [and] the most original work on literary theory I’ve read in some time. It contributes distinctly to a welcome trend of expanded dialogue in the humanities long overdue.” (Donald R. Wehrs, Hargis Professor of English Literature, Auburn University, USA)

“Duncan Lucas’s Dreams We Learn begins with a lucid introduction to Silvan Tomkins’ complex affect and script theory–an impressive feat in itself--and then provides, in a set of highly original close readings, an acute demonstration of the power of Tomkins’ ideas when applied to literature, specifically, in this case, to tragic drama. Persuasively argued and a pleasure to read, it is an indispensable work for anyone interested in affect and its relevance to literature and literary theory.” (Joseph Adamson, Professor Emeritus of English, McMaster University, Canada, and author of Melville, Shame, and the Evil Eye and co-editor of Scenes of Shame: Psychoanalysis, Shame, and Writing (1998))

“An extremely ambitious and carefully researched work of impressive interdisciplinary reach, Duncan Lucas’s Dreams We Learn: Affect Theory, Genre, and the Example of Tragedy brings thoughtful attention to the affect-script theory of human motivation of Silvan Tomkins and shows how Tomkins’ theory provides “new investigative ground” for understanding the nature of suffering in tragedy.  Providing a wonderful sourcebook for literary critics interested in gaining a working knowledge of Silvan Tomkins’ affect-script theory, Lucas has written an insightful and original work as he illuminates, often in unexpected ways, how literary personalities “engage the world emotionally.” (J. Brooks Bouson, Professor English, Loyola University Chicago, USA, and author of Quiet As It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison (2000), Embodied Shame: Uncovering Female Shame in Contemporary Women’s Writings (2009), and Shame and the Aging Woman: Confronting and Resisting Ageism in Contemporary Women’s Writings (2016))