"synopsis" may belong to another edition of this title.
Obviously, 800 years on, Perotin is still not exactly an "easy listen." In fact, almost any musical language with which we are unfamiliar will seem "new" to us at first. But let’s face it: for many well-disposed music lovers, this has been an especially tough century. Indeed, so far as the absorption and appreciation of 20th-century concert music and opera go, a lot of people out there pretty much missed it.
Exactly why and how this happened can and will be debated for many years to come (some possible reasons---the collapse of music education in many countries, including the United States; the split between the "high arts" and popular culture; the decline of the concert and the increased importance of mass media; and the perceived impenetrability and/or ugliness of much 20th-century creation). In any event, rightly or wrongly, many listeners never came to terms with the main classical music trends of this century.
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