Invisible Man, Got the Whole World Watching: A Young Black Man's Education - Softcover

Mychal Denzel Smith is a Knobler Fellow at the Nation Institute and a contributing writer for the Nation magazine. He has also written for the New York Times, The Atlantic, Salon, Feministing.com, The Guardian, The Root, theGrio, ThinkProgress, and Huffington Post, and he has been a featured commentator on NPR, BBC radio, CNN, MSNBC, Al Jazeera America, HuffPost Live, and a number of other radio and television programs.

"Ambitious, ardent and timely."―New York Times Book Review


"[An] audacious debut book...This is a must-read book for the generations."―Washington Post


"...a superbly thoughtful memoir."―Buzzfeed

"...wonderful...While Invisible Man, Got the Whole World Watching may not have the answers, its attempt to define the undefined something buzzing about blackness feels like catching lightning in a bottle."―Atlantic.com, Summer Reading Selection

"Here is the deeply thought accounting of the contemporary black experience by one of our foremost writers and thinkers. A scintillating, rewarding read."―The Root


"[Mychal Denzel Smith] provides perspective into the complexity of blackness that's commonly lost in discussions about race...this memoir is both groundbreaking and saddening. It might be the first of its kind: a book that offers a comprehensive look into the genesis of black millennial lives through the eyes of a young black man."―Chicago Tribune


"With this book, Mychal Denzel Smith solidifies his place as one of the most important voices of his generation. A gifted storyteller with sharp political analysis, he straddles the personal and political with aplomb. This is a book everyone should read."―Jessica Valenti, Guardian (US) columnist and author of Sex Object: A Memoir

"Invisible Man, Got The Whole World Watching is quintessentially Mychal Denzel Smith: brilliant, honest, courageous, hilarious, and transparent. Most importantly, it is one of the best and most authentic examples of black male feminist cultural criticism that we have ever seen. Although he draws from his own experience, Mychal avoids the self-importance and navel gazing that compromise most memoirs of this genre. Instead, he offers a narrative that is at once unique and ordinary, reflective and instructive. This book should be read by anyone trying to understand what it means to be black and male and committed to this beautiful struggle for freedom."―Marc Lamont Hill, author of Nobody: Casualties of America's War on the Vulnerable, from Ferguson to Flint and Beyond

"Decades ago, Toni Cade Bambara wrote, 'The purpose of a writer is to make revolution irresistible.' Mychal Denzel Smith, in addition to crafting a genius piece of art that swims through politics and prose, has created one of the first books of my lifetime that makes structural and interpersonal revolution irresistible. Unlike many twentieth- and twenty-first-century memoirs written by black men, Smith convinces readers that any conversation or movement toward black liberation that doesn't also reckon with heteropatriarchy is brittle at best, and likely destructive. Invisible Man, Got the Whole World Watching is the first book of my life that I need to read with my mother, my grandmother, and my children. Mychal Denzel Smith has done it. He has written a potential revolution."―Kiese Laymon, author of Heavy and How to Slowly Kill Yourself and Others in America

"It has become routine to witness black boys meeting violent ends. Captured on police dashcams or bystander smart phones, we watch black boys die as videos replay hourly on cable news and are clicked feverishly on YouTube. It is still rare to watch black boys grow--to hear them laugh or cry, to declare their passions and to reason carefully. This is part of why Smith's book is so affirming, necessary, even delightful despite its brutality and angst. Mychal Denzel Smith answers the pressing but unasked question, what would happen if all those black boys felled by bullets had a chance to make mistakes, read books, fall in love, hone skills, take new paths, and grow up? The story is fully and unflinchingly Mychal's and because Mychal is so distinctively self-aware, so intellectually invested, and emotionally raw, it cannot simply stand in as a generic tale for all the lost black boys--except that they too would have had stories entirely their own to tell if only they had had a chance to write them. We owe it to them and more importantly to ourselves to read Mychal's book and render visible what we would rather forget."―Melissa Harris-Perry, Maya Angelou Presidential Chair at Wake Forest University