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Filthy: The Weird World of John Waters - Softcover

 
9781555836252: Filthy: The Weird World of John Waters
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To call John Waters a cultural icon is almost insulting. This is after all a man who's entire career has been dedicated to the explosion of mainstream culture. But nonethless, from his earliest films he has been the center of controversy, acclaim, revilement, and reverence. He is the director of the notorious Pink Flamingos (in which the 300 pound transvestite Divine snacks on poodle poop) and Female Trouble (in which Divine as a man--with really nasty skidmarks on his shorts--rapes himself as a woman) as well as the crossover smash Hairspray (which introduced Ricki Lake to the world) and Serial Mom (in which Kathleen Turner offed Patty Hearst with a white pump.) From the days when the press wouldn't return his phone calls to the present, promoting his new films on network morning shows, and giving commentary on NPR, CNN, TNT, and The Sundance Channel, Waters has consistently been the outrageous voice of avant garde cinema. Critic Robrt Pela, examines Waters's life and impact on our culture in this book which is both a biography of Waters, and a remarkable, often hilarious, always illuminating look at his films, their impact, and the not to be believed cult of Waters fans.

The Films of John Waters: Mondo Trasho, Multiple Maniacs, Pink Flamingos, Female Trouble, Desperate Living, Polyester, Hairspray, Cry Baby, Serial Mom, Pecker, and Cecil B. Demented.

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Robrt Pela is a contributing writer for Men's Fitness and The Advocate as well as a theater critic whose reviews appear each week in the New Times and are heard on NPR's Morning Edition. He lives in Phoenix.

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About the Author:
Robrt Pela is a contributing writer for Men's Fitness and The Advocate as well as a theater critic whose reviews appear each week in the New Times and are heard on NPR's Morning Edition. He lives in Phoenix.
From Publishers Weekly:
Late last year, Alyson published My Son Divine by the late drag performer's mother with ace assistance by two filmmakers who shot In Bad Taste and Divine Trash, two documentaries about Waters. This breezy guide to the life and films of the Baltimore filmmaker lacks the research and thoroughness of the earlier effort. Waters's own Shock Value (1981) is still the definitive book on his life and career. Shock covered his early short films and first five full-length features (including Pink Flamingos and Female Trouble). Since the publication of that book, Waters has made six more films (including Hairspray, Polyester and Cecil B. Demented). Instead of offering Waters fans a useful update, Pela recycles information about the earlier films. The author's interest wanes during the later films (the Johnny Depp musical Cry Baby merits a mere three pages and Serial Mom with Kathleen Turner is brushed off in three paragraphs). Equally frustrating are the chapters where Pela makes himself the focus: his disappointing visit to Baltimore; his trip to a spiritual medium to speak with the deceased Divine and his talk with scary, obsessive fans of Waters. A misplaced bluffers guide, which reads more like an appendix, interrupts the chronology midway through to wax on rats, shoplifting, vomit, fat women and other recurring imagery and motifs in John Waters films. The useful filmography (running more than 50 pages) contains fun facts (Best Moment, Low Point, Best Dialogue) and brief reviews.
Copyright 2002 Cahners Business Information, Inc.

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  • PublisherAlyson Pubns
  • Publication date2002
  • ISBN 10 1555836259
  • ISBN 13 9781555836252
  • BindingPaperback
  • Edition number1
  • Number of pages209
  • Rating

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