The Living and the Dead in Winsford - Softcover

Hakan Nesser is one of Sweden's most popular crime writers, receiving numerous awards for his novels featuring Inspector Van Veeteren, including the European Crime Fiction Star Award (Ripper Award), the Swedish Crime Writers' Academy Prize (three times) and Scandinavia's Glass Key Award. His Van Veeteren series is published in over twenty-five countries and has sold over 10 million copies worldwide. Hakan Nesser lives in Gotland with his wife, and spends part of each year in the UK. His other books include the popular Van Veeteren series and The Barbarotti series.

A haunting, masterly unravelling of a dreadful crime, in The Living and the Dead in Winsford, Hakan Nesser, the bestselling, award-winning author of the Van Veeteren series, tightens the tension like a noose . . . * fantasticfiction.co.uk * The book is part thriller but also reads like literary fiction. This is no surprise as Nesser is an excellent writer . . . A great read * Crimepieces.com * A tense, psychological exploration of betrayal and revenge, deservedly winning the Rosenkrantz Award for Best Thriller of the Year in 2013.' * Sydney Morning Herald * The smooth, silky prose holds the reader's attention from start to finish, and it's no surprise to discover that this book won the Palle Rosencrantz Prize for best thriller of the year * Literary Review * One of the pleasures of The Living and the Dead in Winsford is the drip feed of vital information that hurtles you through its 471 pages as it probes deeper into its heroine's demons. Nesser lives in Gotland but spends part of each year in the UK and he obviously knows his Winsford - and better still his Exmoor. The claustrophobia and comfort of village life, the terror of darkness on an exposed and desolate landscape; proximity with a natural world as beautiful as it is harsh: every detail seems etched into Nesser's viscerally descriptive writing. . . . A ripping yarn * The Times * A standalone that certainly won't disappoint . . . Maria pretends to the locals that she is an author seeking peace and quiet, but her sole intention is to outlive her pet. The revelation of exactly what it is that she is trying to escape and why she intends to end her life is gradual and utterly intriguing. Told in the first person, this is a superb evocation of a woman in the grip of a major emotional and moral crisis, set against a well-evoked moorland landscape. * Guardian *