The Little Girl Who Fought the Great Depression: Shirley Temple and 1930s America (Thorndike Press Large Print Nonfiction) - Hardcover

John F. Kasson is a professor of history and American studies at the University of North Carolina–Chapel Hill and the author of Amusing the Million, among many other seminal works of cultural history. He lives in Chapel Hill.

The Little Girl Who Fought the Great Depression is an illuminating and highly entertaining look at the life and career of the greatest young movie star of her era. John Kasson perceptively reveals how Shirley Temple brought hope and joy to a diverse array of people throughout the world while simultaneously transforming the nature of celebrity, consumption, and childhood culture in 1930s America. --Steven J. Ross, author of Hollywood Left and Right: How Movie Stars Shaped American Politics

John Kasson delights the reader with his lively account of feel-good films starring the adorable curly-headed moppet who, with radiant smile and winsome guile, lit up the dark nights of the 1930s. A brilliant analyst, Kasson lays bare coruscatingly, too, how exploited child actors serve as canaries in the mine shaft of modern consumer culture. --William E. Leuchtenburg, author of In the Shadow of FDR: From Harry Truman to Barack Obama

Carefully argued and gracefully written. Not since the pioneering essays of Warren Susman has any historian so brilliantly illuminated the emotional life of Americans in the 1930s. The Great Depression not to mention Shirley Temple and Franklin Roosevelt will never look the same. --Jackson Lears, author of Rebirth of a Nation: The Making of Modern America, 1877-1920

John F. Kasson skillfully uses Shirley Temple as a prism to cast light on a vast range of subjects: The rise of FDR, optimism as Depression-era propaganda, the double existence of African-American stars, innocence as a consumer commodity, the fickleness of star adoration and the dangers of the mob, the meaning of childhood in a changing culture, and Hollywood's exploitation of its human profit centers, no matter how small. Connecting them all is Temple herself, serene, self-composed, and indestructible the one movie star who wasn't putting on an act. --Ty Burr, author of Gods Like Us: On Movie Stardom and Modern Fame

Sparkling, beautifully written, nearly impossible to put down. John Kasson moves behind the seemingly effortless smile of Shirley Temple to uncover the child labor it required, and explores the complex emotional work performed by that smile for Americans struggling to survive the Great Depression. A compelling and creative new cultural history of the 1930s. --Karen Halttunen, author of Confidence Men and Painted Women: A Study in Middle-Class Culture, 1830-1870