In the Gathering Woods (Pitt Drue Heinz Lit Prize) - Softcover

Adria Bernardi was awarded the 2000 Drue Heinz Literature Prize by Frank Conroy for her collection of short stories, In the Gathering Woods.  She is the author of two novels, Openwork, and The Day Laid on the Altar, which was awarded the 1999 Bakeless Prize by Andrea Barrett.  She is the author of a collection of essays, Dead Meander.  Her translations include Chernobylove―The Day After the Wind: Selected Poems 2008-2010 by Francesca Pellegrino.  She received the 2007 De Palchi Translation Fellowship to complete Small Talk, the poetry of Raffaello Baldini.  She lives in Nashville, Tennessee.

This year's Drue Heinz Literature Prize winner is a pasticcio of tales documenting the Italian experience from Renaissance times to present-day Chicago. Novelist, translator and oral historian Bernardi (The Day Laid on the Altar) gives this book a coherence less through plot than through a consistent focus on Italian families, highlighting the way each generation attempts to pass to the next the knowledge it considers vital. In the titular first story, some of that knowledge is horticultural, as a grandfather tutors a young boy in the intricacies of mushroom gathering. It's a pastime with high stakes: minor differences separate the prized mushroom from the deadly one. In "The Coal Miner, Above Ground," the family has made the long journey to America, following in the path of the "bold ones" who emigrated first and sent money back to their families. As the family assimilates, the icons of America become an essential part of their emotional landscape. In "Working the Clock," the Michael Jordan-era Chicago Bulls are playing on television. Ray Gomorri has gone to the game with his son. If the Bulls win, his wife, Rina, watching the game at home alone, will not need to take the pills that protect her from the "dark periods." In "Rustlings," a young mother discovers that part of becoming an American is "to unlearn what things were called," replacing Italian with a flawless, unaccented English. But certain words still come more easily in Italian, reinforcing Bernardi's theme that American-style success doesn't replace an essentially Italian consciousness. (Oct.)
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