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In the long unfurling of his life, from tight-wound kid hustler in a wool suit riding the train out of Cheyenne to geriatric limper in this spooled-out year, Mero had kicked down thoughts of the place where he began, a so-called ranch on strange ground at the south hinge of the Big Horns."The Half-Skinned Steer" chronicles elderly Mero Corn's journey back to Wyoming for his brother's funeral. As he drives west, details of his eventful trip are interspersed with recollections of his youth on the ranch--most notably a tall tale he heard told long ago about a sad-sack rancher named Tin Head and a butchered steer. This is vintage Proulx, a combination of isolated landscapes, macabre events, and damaged people that adds up, in the end, to a near-perfect story. It's no surprise that "The Half-Skinned Steer" made it into John Updike's Best American Short Stories of the Century.
Proulx achieves similar results with many of the other stories in Close Range, including another prizewinner, "Brokeback Mountain," the bittersweet story of doomed love between two cowboys who "can't hardly be decent together," yet know "if we do that in the wrong place we'll be dead." But Proulx is careful to add some leavening to the mix. In "The Blood Bay" she indulges her taste for the gruesome with a morbidly amusing retelling of an Old West shaggy-dog story, while "Pair a Spurs" is the sad-funny rendering of divorce, Wyoming style. The author is a true original in every sense of the word, and her evocation of the West is as singular and surprising as that of Cormac McCarthy or Ivan Doig. Close Range is Proulx at her best. --Alix Wilber
These are stories of desperation, hard times, and unlikely elation, set in a landscape both brutal and magnificent. Enlivened by folk tales, flights of fancy, and details of ranch and rural work, they juxtapose Wyoming's traditional character and attitudes -- confrontation of tough problems, prejudice, persistence in the face of difficulty -- with the more benign values of the new west.
In a unique collaboration that revives the tradition of the Scribner illustrated classics, Proulx has worked with the artist William Matthews, whose six watercolors create an eloquent visual dialogue.
Stories in Close Range have appeared in The New Yorker, The Atlantic Monthly, Harper's, and GQ. They have been selected for the O. Henry Stories 1998 and The Best American Short Stories of the Century and have won the National Magazine Award for Fiction. This is work by an author writing at the peak of her craft.
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