Review:
Of the almost 600 mystery stories published in 1997, guest editor Sue Grafton has selected twenty of the finest for this installment of the acclaimed annual series. Authors range from the established (like Lawrence Block, Mary Higgins Clark, and Walter Mosley) to newcomers like David Ballard. All the tales are grounded in mystery fundamentals of crime and (usually) punishment, but each contains some edge or narrative experimentation that sets it apart from the flock. Block's "Keller on the Spot," for example, is a sardonic tale of a killer who saves the grandson of his next hit and winds up questioning his professional path. Stuart Kaminsky's entry, "Find Miriam," is a first-person narrative by Lew Fonesca, a detective who makes his living "finding people, asking questions, answering to nobody." In this case, however, the finding isn't the puzzle--the real puzzle is his client, a troubled husband whose wife has left him without an apparent motive. Throughout, Grafton's tastes run to the literary, and she is fascinated by the cathartic quality of each story. As she writes in her introduction: "Nowhere is iniquity, wrongdoing, and reparation more satisfying to behold than in the well-crafted yarns spun by the writers represented here. While we're plunged into the darkness by their skill and imagination, we're simultaneously reassured that we are safe... from ourselves." --Patrick O'Kelley
About the Author:
Sue Grafton is published in 28 countries and 26 languages -- including Estonian, Bulgarian, and Indonesian. She's an international bestseller with a readership in the millions. She's a writer who believes in the form that she has chosen to mine: "The mystery novel offers a world in which justice is served. Maybe not in a court of law," she has said, "but people do get their just desserts." And like Raymond Chandler and Ross Macdonald, Robert Parker and the John D. MacDonald—the best of her breed—she has earned new respect for that form. Her readers appreciate her buoyant style, her eye for detail, her deft hand with character, her acute social observances, and her abundant storytelling talents. But who is the real Sue Grafton? Many of her readers think she is simply a version of her character and alter ego Kinsey Millhone. Here are Kinsey's own words in the early pages of N Is for Noose: "So there I was barreling down the highway in search of employment and not at all fussy about what kind of work I'd take. I wanted distraction. I wanted some money, escape, anything to keep my mind off the subject of Robert Deitz. I'm not good at good-byes. I've suffered way too many in my day and I don't like the sensation. On the other hand, I'm not that good at relationships. Get close to someone and the next thing you know, you've given them the power to wound, betray, irritate, abandon you, or bore you senseless. My general policy is to keep my distance, thus avoiding a lot of unruly emotion. In psychiatric circles, there are names for people like me." Those are sentiments that hit home for Grafton's readers. And she has said that Kinsey is herself, only younger, smarter, and thinner. But are they an apt description of Kinsey's creator? Well, she's been married to Steve Humphrey for more than twenty years. She has three kids and two grandkids. She loves cats, gardens, and good cuisine—not quite the nature-hating, fast-food loving Millhone. So: readers and reviewers beware. Never assume the author is the character in the book. Sue, who has a home in Montecito, California ("Santa Theresa") and another in Louisville, the city in which she was born and raised, is only in her imagination Kinsey Millhone -- but what a splendid imagination it is.
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