About the Author:
Thomas F. Monteleone is the author of the Bram Stoker Award winning novel, The Blood of the Lamb, which was named a New York Times Notable Book of the Year. His other novels include Night of Broken Souls and Eyes of the Virgin. Monteleone's column from Cemetery Dance magazine has been collected in The Mother and Fathers Italian Association. Several of Monteleone's stories have been adapted for television.
Monteleone and his wife, Elizabeth, have edited the acclaimed Borderlands series of anthologies and run Borderlands Press, a high-quality small press. Thomas F. Monteleone and his family live in New Hampshire.
From Publishers Weekly:
The imminence of biblical apocalypse sustains this ambitious but overstuffed sequel to Monteleone's millennial thriller, Blood of the Lamb (1992). In that novel, Father Peter Carenza, who was cloned from a bloodstain on the Shroud of Turin, first showed his dark side, using his awesome supernatural gifts to self-serving ends and raising fears among Vatican higher-ups that imperfect human efforts to engineer the Second Coming had produced the anti-Christ instead. As the newly appointed pope, Carenza has now begun to overturn the foundations of the Catholic religion, revoking clerical vows of celibacy so that he can marry Marion Windsor, an increasingly reluctant lover whom he accidentally kills in anger but then resurrects. Carenza's outrages coincide with the secret resurgence of the Knights of Malta, miracles performed around the globe by seven ordinary people who share a vision of a spectral "Lady in the Light," and cataclysmic solar flares that suggest all is not well in the firmament. Monteleone compresses an impressive quantity of religious and political history into the fast-paced narrative, but the provocative questions of faith and philosophy the story raises are brushed aside in the headlong rush to tie together the numerous subplots in an extravagant finale. His engagingly varied characters are reduced by the novel's broad historical and geographical terrain to props in a plot cribbed from Revelations. In effect, he has crafted a tale of intrigue and espionage whose clerics and ecclesiasts are nothing less--and, somewhat disappointingly, little more--than the cops and crooks of conventional suspense fiction. (Dec.)
Copyright 1999 Reed Business Information, Inc.
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