About the Author:
Michel Hockx is professor of Chinese at SOAS, University of London, and founding director of the SOAS China Institute. He studied Chinese language and literature at Leiden University in The Netherlands and at Liaoning University and Peking University in China. His research looks at modern and contemporary Chinese literary communities and the way they organize themselves, their relation to the state, and the technologies they employ to distribute their work. He is the author of Questions of Style: Literary Societies and Literary Journals in Modern China, 1911–1937 and A Snowy Morning: Eight Chinese Poets on the Road to Modernity.
Review:
As a well-known figure in the field of modern Chinese literature, Hockx is well positioned to bridge the gap between literary studies and internet culture. His book will become a standard citation in Chinese internet studies. (Guobin Yang, author of The Power of the Internet in China: Citizen Activism Online)
A pioneering effort that will set a milestone in the research of online literature and will be a reference work for students and researchers for years to come. (Daria Berg, University of St. Gallen)
Internet Literature in China is one of the first books to survey the field of electronic literature in China, and Hockx's analyses show the complex interrelations between literary production, internet technologies, and social contexts in postsocialist China. His conclusions challenge and extend received wisdom about how digital technologies affect literary productions in Western contexts. For example, he argues that innovative effects do not require and are not limited to nonlinearity in literary texts. This excellent book should be read by every serious scholar of digital literature, especially those who have based their ideas solely on Western contexts. (N. Katherine Hayles, author of How We Think: Digital Media and Contemporary Technogenesis)
Michel Hockx provides a rare look at the processes of social transformation that have touched the intimate lives of people and communities through web portals, apps, microblogs and other online media. His refreshing ethnography captures a precarious moment of postsocialist literary innovation, transgression, and aberrations in its full complexity. This book is the best introduction available in English to the psychic landscape of contemporary Chinese netizens who know how to play with censors to articulate their personal desires, fantasies, phobias, and exhibitionism. (Lydia H. Liu, author of The Freudian Robot: Digital Media and the Future of the Unconscious)
This important account of the other China is timely and incisive. It reveals a virtual People's Republic that is furtive, creative, and resilient. Hockx speaks insightfully of China's post-socialist past and guides us toward its gravid and disruptive future. (Geremie R Barmé, creator of The China Story (www.thechinastory.org))
Hockx has documented a fascinating moment in time. (Ross Perlin Times Literary Supplement)
[Internet Literature in China] provides engaging representative snapshots of this digital literary and subliterary universe.... Essential. (Choice)
Internet Literature in China is a fantastic and novel contribution to the study of literary production in the digital age, and one that is bound to appeal far beyond the field of Chinese literature. (Casey Brienza LSE Review of Books)
Michel Hockx's book is the first Western study to provide a global introduction to online literature in China.... In sum, this is an important contribution, not only to Chinese studies but also to the study of digital literature elsewhere in the world. (Shuang Xu China Perspectives)
Hockx enables readers to get a vivid and interesting glimpse into the ingenuity, fluidity, interactivity, and transgressiveness of postsocialist China's important cultural phenomenon. (Chu Shen The China Review)
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