The Miles Davis Lost Quintet and Other Revolutionary Ensembles - Hardcover

Bob Gluck is a pianist, composer, jazz historian, and rabbi, as well as professor of music at the State University of New York, Albany. He is the author of You’ll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. 

“Replete with anecdotes, published quotes, reviews, plus documentation, this is a very readable, honest, informed—even scholarly—effort by Gluck in chronicling the influences, motives, and participants circa 1960 through early ’75 of Miles Davis and ‘. . . Other Revolutionary Bands.’ This will be an important contribution to music literature and study.” (Stanley Cowell, pianist and composer)

“Gluck’s The Miles Davis Lost Quintet and Other Revolutionary Ensembles goes the distance to dispel the simplistic notion that the ’70s was the decade of fusion and funk. Focusing on three ensembles whose innovations and influence exceeded their popularity is a brilliant move. While I could quibble with a few conclusions, Gluck expertly analyzes the music without ignoring the all-important political, cultural, social, and economic contexts in which the music was created—making this book invaluable.” (Michael Cuscuna, cofounder of Mosaic Records)

“This book presents a radical challenge to accepted portrayals of the networks that animated experimental music-making in the crucial decade of the 1970s. Moving beyond stereotypes of genre, Gluck lays out a compelling, cosmopolitan, yet intimate vision of the relationships among a set of highly innovative musicians who shaped the future of music itself.” (George E. Lewis, author of A Power Stronger Than Itself: The AACM and American Experimental Music)

“Gluck’s new work is written with much heart, warmth, and intelligence. I hope this starts a new wave of academic books that focus on good narrative, new concepts, and sophistication without having to fall into the academic jargon charade. Gluck explores cultural, sociological, and philosophical elements of some of the late sixties’ and early seventies’ most cutting edge groups, but in a way that is most essential: from a musical perspective. I am flattered to see a mention of my Listen to This: Miles Davis and Bitches Brew in the text, for I feel this new volume is a perfect complement, exploring many of Davis’s outlooks and sociological surroundings with a fresh and well developed perspective. I must admit, I know very little of some of the more avant-garde bands Gluck writes passionately about, but I enjoyed learning about them, and the whole New York loft scene of the seventies. Some of Gluck’s conclusions are new takes on matters, especially with the relationship with the avant-garde and Davis, which offer much to ponder and debate.”
  (Victor Svorinich, Listen to This: Miles Davis and Bitches Brew)