Michela Wrong, a correspondent who witnessed firsthand Mobutu's last days, traces the rise and fall of the idealistic young journalist who became the stereotype of an African despot. Engrossing, highly readable, and as funny as it is tragic, her book assesses how Belgium's King Leopold, the CIA, and the World Bank all helped to bring about the disaster that is now the Democratic Republic of Congo. If, in this poignant account, the villains are the "Big Vegetables" (les Grosses légumes) -- the fat cats who benefited from Mobutu's largesse -- the heroes are the ordinary citizens trapped in a parody of a state. Living in the shadow of a disintegrating nuclear reactor, where banknotes are not worth the paper they are printed on, they have turned survival into an art form. For all its valuable insights into Africa's colonial heritage and the damage done by Western intervention, In the Footsteps of Mr. Kurtz is ultimately a celebration of the irrepressible human spirit.
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Wrong turns first to Belgian's King Leopold II, who instituted a brutal colonial regime in the Congo in order to extract the natural and mineral wealth for his personal gain. Mobutu, with the aid of a U.S. government determined to sabotage Soviet expansion, stepped easily into Leopold's footsteps, continuing a culture built on government-sanctioned sleaze and theft. Under the circumstances, it's hard not to feel some sympathy for the people who survived in the only ways they could--teachers trading passing grades for groceries, hospitals refusing to let patients leave until they paid up, cassava patches cultivated next to the frighteningly unsafe nuclear reactor. What is less comprehensible--and rightly due for an airing--are Wrong's revelations about foreign interventions. Why, for example, did the World Bank and IMF give Mobutu $9.3 billion in aid, knowing full well that he was pocketing most of it?
In the Footsteps of Mr. Kurtz is a brilliantly conceived and written work, sharply observant and richly described with a necessary sense of the absurd. Wrong paints a far more nuanced picture of the wily autocrat than we've seen before, and of the blatant greed and paranoia of the many players involved in the country's self-destruction. --Lesley Reed
Michela Wrong has worked as a foreign correspondent for Reuters, the BBC, and the Financial Times. She has written about Africa for Slate.com and is a frequent commentator on African affairs in the media. Her first book, In the Footsteps of Mr. Kurtz, won the James Stern Silver Pen Award for Nonfiction. She lives in London.
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